Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

Monday, November 5, 2018

Download Your Photos

Always, Always, Always Download Your Photos

Because "free" or "unlimited" cloud storage is only free and unlimited until it's not.

By Eric Limer
image
 FLICKRMATHIAS APPEL

Five years ago, when Yahoo was grasping for relevance via stunts such as buying Tumblr, it breathed new life into an icon of the early internet: Flickr. Yahoo had owned the photo-hosting giant since 2005 (and then arguably ran it into the ground). In 2013, though, Flickr roared back to life with a new enticement—a freakin' terabyte of free storage, an offer that led lots of people to start using the site as a primary photo backup.

Tuesday, August 28, 2018

Photoshop

What Are Photoshop Plug-ins, Extensions, and Add-Ons?


Photoshop is already a powerful and versatile app, but you can make it even more powerful, more versatile, and easier to use with Photoshop Add-Ons.

Saturday, August 18, 2018

Photoshop w/out Photoshop

How to Open (or Convert) a Photoshop File If You Don’t Have Photoshop


Photoshop is a popular and powerful graphics editing tool, but what do you do if you need to open a PSD file and don’t have Photoshop? We have several solutions for you that don’t involve buying (or renting) an expensive copy of Photoshop.

Saturday, August 11, 2018

Photoshop


How to Learn Photoshop


Photoshop is the biggest name in image editing, but it has a reputation as a complicated and difficult app to use. While it’s certainly feature packed, it’s nowhere near as difficult to get the hang of as it first appears. Let’s look at how to learn Photoshop without getting stuck in the weeds.

Saturday, July 14, 2018

Best Online Photo Editors


The Best Online Photo Editors


Whether you are making a Christmas card to send out for your holidays or making a fun collage to text your friends, you’ll need an image editing software.

Monday, June 18, 2018

Resize Images & Photos

How To Resize Images And Photos In Windows


Most image viewing programs have a built-in feature to help you change the size of images. Here are our favorite image resizing tools for Windows. We’ve picked out a built-in option, a couple of third party apps, and even a browser-based tool.

Sunday, June 17, 2018

Optical Distortion

What is Optical Distortion in Photography?


Lenses aren’t just dumb tubes that you attach to your camera; they manipulate light in complex ways. One of the side affects of this is optical distortion. Let’s look at it in more detail.

Saturday, June 16, 2018

T-Stop

What is a T-Stop in Photography and Videography?


If you start to move from photography into videography, you’ll quickly start hearing about something called a t-stop, which are a combination of a lens’ f-stop and light transmittance value. Let’s take a deeper look at what that means.

Friday, June 15, 2018

Freeze or Blur


Freeze or Blur? The Two Ways to Capture Movement in Photography


A photograph only shows a single moment, so if you want to capture a good image of a moving subject and have it look like it’s actually in motion, you need to put a bit of thought into things. Let’s look at how to capture movement in your photos.

Thursday, June 14, 2018

Canon Camera's

Canon casually kills last film camera, eight years after ending production

canon film camera sales cease eos 1v body
Jörg Padberg / Wikimedia Commons

Eight years after ending actual production of film cameras, Canon has discontinued the company’s last film SLR. Canon Japan recently announced the end of sales for the Canon EOS-1V, a pro-level film SLR — and the company’s last remaining film option.

Thursday, June 7, 2018

Nikon Camera


What Lenses Should I Buy for My Nikon Camera


The best thing about DSLR cameras is that you can use different lenses for different situations. With dozens of lenses to choose from, however, which ones do you buy? Let’s have a look at some of the best Nikon lenses for different situations.

Wednesday, June 6, 2018

Focal Length


What is Focal Length in Photography?


In photography, we use focal length as a primary descriptor of lenses. It’s the measure (in millimeters) of the distance between the rear nodal point and the focal point of the lens, while the lens is focused to infinity. Yep, that’s quite a mouthful, so let’s break it down.

Monday, April 16, 2018

Auto Back-Up Photos

The Best Ways to Automatically Back Up the Photos on Your Smartphone


The best camera is the one you have with you, and most of the time that’s going to be your smartphone. You probably capture lots of important moments with your phone, so you also need to make sure you’re keeping those moments backed up.

Thursday, February 8, 2018

Location-Tagged Photos


Are Location-Tagged Photos Really a Privacy Concern?


When you take a photo with your smartphone (or a modern digital camera), it logs the photo’s GPS coordinates and embeds it in the image metadata, or EXIF. This is how your phone is able to show a map view of your photo library.

Friday, January 19, 2018

CVS bans Photo

CVS bans photo manipulation for store beauty brands, will place alert label on others

Nathan Bomey, USA TODAY

CVS Health said it will ban photo manipulation on imagery for their store brand makeup.

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(Photo: CVS Health)

CVS Health said Monday that it will ban photo manipulation in its store-brand makeup marketing and promotional displays, a move that acknowledges growing awareness of the harmful nature of touched-up images.

Saturday, December 23, 2017

Use Emoji in Photoshop

How to Use Emoji in Photoshop


In the last few years, Emoji have become a huge part of pop culture. There’s even a movie about them (although I’m trying my best to forget that). With Photoshop CC 2017, Adobe added proper support for Emoji, so let’s look at how to use them.

Thursday, September 14, 2017

Find Compatible Lenses


How to Find Compatible Lenses for Your Canon or Nikon Camera


Buying lenses for your camera isn’t always simple. The two major manufacturers, Canon and Nikon, both have different options depending on whether you’re getting a lens for a full-frame or crop sensor camera. Even if you’ve got a Canon camera, you can’t be sure that any Canon lens will work.
Third parties, like Sigma and Tamron, make things even more confusing. They also make lenses that come with a choice of mount. You can get a Sigma 24-105 for either Canon or Nikon cameras.
Let’s break things down a bit and look at what mounts Canon and Nikon are currently using for their cameras and lenses.

Canon: EF, EF-S, EF-M

Canon cameras use one of three lens mounts: the standard EF mount and then two derivatives, the EF-S mount and EF-M mount.
The EF mount was introduced by Canon in 1987. It’s what’s used by their modern full-frame cameras like the 5D Mark IV and the 6D Mark II. Every EF lens has an autofocus motor build into it—the EF stands for Electro-Focus. You can’t buy non-autofocus EF lenses from Canon, but third party manufacturers do make manual focus lenses that fit the EF mount. If a lens is listed as for Canon cameras without specifying further, it’s almost certainly an EF lens.
The EF-S mount is used by Canon’s crop-sensor cameras such as the 7D Mark II80D and 1300D. Since the sensor is smaller, the lenses can also be smaller and lighter. An EF-S lens will not work on an EF mount camera, however the reverse is not true—EF lenses work perfectly with EF-S mount cameras.
The EF-M mount was created for Canon’s mirrorless cameras such as the M100. EF-M lenses will only work on EF-M cameras. EF and EF-S lenses can be used with an adapter.

Nikon: FX and DX

Unlike Canon, Nikon only has one lens mount: the F-mount, which was introduced in 1959. There are, however, still a few complications.
Nikon has two sensor sizes: the FX full-frame sensor, used in cameras like the D810, and the DX APS-C sensor, used in cameras like the D500. There are lenses available for each that use the F-mount.
The DX sensor is smaller, so lenses designed just for it don’t need to project as big an image. A DX lens will still fit on any F-mount camera, however, they won’t be able to fully use the larger sensor. Modern Nikon FX DSLRs will automatically crop out the empty image space if they detect you’re using a DX lens, but you will be left with a lower resolution, and potentially lower quality, image.
FX lenses are designed to work with the larger FX sensor. They also use the F-mount so you can use them with your DX cameras as well.
Nikon also has a mirrorless mount: the Nikon 1 mount. Nikon 1 lenses can only be used with Nikon 1 cameras, although F-mount lenses can be used with an adapter.
Any third-party lens designed for Nikon cameras will use the F-mount, though some might be designed just for DX cameras.
Before you get too complacent and think you can use any Nikon lens on any camera, there’s another wrinkle. Unlike Canon cameras, where every lens has an autofocus motor, some Nikon lenses, like this 50mm f/1.8, don’t. Instead, they use an autofocus motor that’s built into high end Nikon DSLRs. Confusingly, these lenses are called AF lenses.
At the moment, the only Nikon cameras without an autofocus motor are the D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100, D3000, D60, D40X and D40. These are all entry-level DX models. You can still use AF lenses on them, however you will need to manually focus them.
Lenses with an autofocus motor build in are called either AF-S or AF-P, depending on the kind of motor they have. These can be used on any Nikon DSLR and will always have autofocus.

Camera and lens standards have changed and developed as new technologies have evolved. Camera gear, however, can last along time. Most lenses from the 90s will work on modern Canon cameras and some lenses from the 70s will work on Nikon cameras. Just make sure they’ve got a compatible mount.

Tuesday, September 12, 2017

Best Lens for Landscape

What Is the Best Lens for Landscape Photography?


Landscapes are one of the most popular subjects to shoot. Look out any window, and there’s something to photograph. It might not be the most majestic landscape, but there’s probably a photo to be made.
The good news is that landscapes are one of the most accessible subjects. Unlike portraits or sports, which generally need more specialized (and expensive) gear, you can take landscapes with any camera and lens combination.

What You Want in a Landscape Lens

Although you can use any setup and get great landscapes, there are certain attributes that will tend to make a lens better for capturing them. You can use a 200mm telephoto lens, but it’s not the most flexible option. And that there is the key: flexibility.
Landscapes are a lot more varied than people. We fit a fairly standard profile. Most of us are somewhere between four and seven feet tall. Most of us are between 50 and 400 pounds. A view of Mount Everest and the daisies in a local field, however, are both landscapes and they’re both very very different challenges photographically.
Ideally, you want a lens that will work in as many situations as possible. This means you’ll want a zoom lens that covers a range of useful focal lengths.

Focal Length and Landscapes

For most landscapes, you’re generally going to want to use a wide angle lens. They let you get everything in the shot. How wide you want depends on the subject, but it is rare you’ll use something much longer than a normal lens.

Small differences in focal length matter a lot more at shorter focal lengths than they do at longer focal lengths. The difference in field of view between 20mm and 22mm is a lot more than the difference between 100mm and 102mm. This means that a lens that’s got a slightly shorter focal length can make a huge difference.
Below is a photo taken at 28mm. This is equivalent to 18mm on a crop sensor camera, which is the shortest focal length of most kit lenses. It’s a pretty wide field of view.
Next up, we’ve got a photo taken at 17mm. This is equivalent to about 10.5mm on a crop sensor camera.
You can see there’s a huge difference in the field of view. Going just 10mm wider means we can capture a huge amount more of the landscape. It’s not that one photo is necessarily better, but the second one makes the sense of scale seem more dramatic.
While you won’t always want to go super wide, it’s great to have the option. This means that for the most flexibility, you want a zoom lens that covers some really wide-angle focal lengths—about 10mm on a crop sensor camera and 17mm on a full-frame camera.

Aperture and Landscapes

Aperture doesn’t matter that much for landscape photography unless you are also planning on shooting some photos of the stars. Most of the time, you’ll be using an aperture between f/8 and f/16 to maximize your depth of field. This means that even a lens that’s widest aperture is f/5.6 will work. My main landscape lens has a widest aperture of f/4, which works perfectly.
While a lens with a wider aperture will let you shoot in less light without a tripod, they tend to cost a good bit more. If you have the budget for a lens with f/2.8, buy it, but don’t consider it an essential feature of a landscape lens. You’ll often want to use a tripod anyway.

Some Good Landscape Lenses

So we’ve established that the best flexible landscape lens is a wide-angle zoom lens. Your kit lens will work, but won’t have the extra wide field of view that’s often desirable. Let’s look at some of good options.

Canon

For Canon, if you’re using a crop sensor camera, I’d recommend the $279 Canon EF-S 10-18mm f/4.5-5.6 IS . Its focal length is the equivalent of about 16-30 on a full-frame camera. Combined with your kit lens, you’ll be able to capture a great photo of almost any landscape.
If you’re using a full-frame camera, I can praise the Canon EF 17-40mm f/4L highly enough. It’s my most used lens and, at $749, tremendous value.

Nikon

For Nikon, your options are similar. The $300 Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is a solid buy and, along with your kit lens, will cover most of your landscape needs.
The closest lens to by beloved 17-40mm for full-frame Nikon cameras is the Nikon AF-S FX NIKKOR 18-35mm f/3.5-4.5G. It, similarly, covers a pretty perfect range for landscape photography.

You can take great landscapes with any lens: there are just so many different kinds of landscapes! However, if you want a lens that will enable you to take good landscapes in almost any situation, you won’t go wrong with a wide-angle zoom lens.

Thursday, August 24, 2017

Best Tools for Editing Pictures



The Best Tools for Editing Pictures on a Chromebook


Chromebooks have long been touted as great machines for users who “don’t need anything more than a browser.” But as time has gone on, the machines have gotten more powerful, with more program options are available than ever before. If you thought editing photos from a Chromebook wasn’t possible, it’s time to give it another look.
Now, I’m not suggesting you’re going to replace your Windows PC or Mac with a Chromebook for graphic design work, because that just ain’t gonna happen. What I am suggesting, however, is that for light-to-moderate photo editing jobs, you might be remiss to not at least consider a Chromebook. There are more options out there than you might think, and as long as you keep your expectations in check, you can have a great image editing experience on Chrome OS.

For Filters and Color Correction: Polarr

One of the most common edits anyone (everyone?) makes to photos is color correction. This is one of the reasons why things like Instagram have gotten so popular: they make color editing/correction as simple as one tap.
If this sounds like your speed, Polarr is the editor for you. It’s a very powerful, robust online editor that is chock full of filters and other quick tweaks that can take your photos from looking good to great pretty quickly.
While it can be as simple as picking a filter and running with it, Polarr also offers more granular editing with things like local adjustments, retouching, histogram data, and cropping. It even offers a very good automatic adjustment tool.
Polarr is free with limited use, but if you’re looking to unlock everything it has to offer, there’s a one-time $20 option that will give you the whole shebang. If it’s something you’d like to check out, you can install it from the Chrome Web Store. There’s also a Chrome extension that allows you to open images from popular websites (like Google Images) for quick editing in Polarr.

For a Photoshop Replacement: Pixlr

If you ask any Chromebook user what the most robust photo editing solution on Chrome OS is, odds are they’re going to tell you it’s Pixlr. This is a full featured, ultra-robust web app that can fit the niche many Chromebook users are looking for.
It offers full layer support and more editing tools than I dare try to mention in this post—just know that if you’re looking for the most powerful web app out there, Pixlr is your answer.
The company also offers a tool similar to Polarr in Pixlr Express if you’d prefer to keep all your edits under one umbrella. The biggest issue I have with Express is the ads—it’s loaded with them. Still, you can’t really complain about that when the editor itself is free. In fact, both Pixlr and Express are free to use it. I’d say that’s a fair price for something this powerful.

For Vector Images: Gravit Designer

I only recently learned about this tool, but if you’re looking for a way to edit vector images on Chrome OS, look no more. Now, I won’t pretend to know a lot about vector editing—it’s simply outside of my wheelhouse.
So instead of spitting out a bunch of words that might make it sound like I know what I’m talking about, I’d rather just point you to the Gravit website and let you read for yourself. Or, if you’re more of a hands-on kind of person, I’ll just direct you to the Chrome Web Store so you can install it and give it a go for yourself.

For Everything: Android Apps

Adobe Photoshop LightroomIf you’re lucky enough to have a Chromebook that runs Android apps, you have to consider all the options available in the Google Play Store. I mean, there are  a lot of choices available there—including a full suite of Adobe apps. Here are some of the most notable:
Pixlr and Polarr both also have Android apps if you’re interested in that. And honestly, that’s just to name a few. There are tons of available editors on Android, so if you have a favorite on your phone, the odds are you can also use it on your Chromebook. My go-to is PicSay Pro, because it does everything I need quickly and efficiently.

The introduction of Android apps on Chromebooks really opened doors for tools like this, but honestly even if your Chromebook doesn’t have access to Android apps, Polarr and Pixlr should be able to handle basically everything you need them to do. Either way, the tools available to Chrome OS users keep getting better and more powerful.

Wednesday, August 23, 2017

What Is a Macro Lens in Photography?


What Is a Macro Lens in Photography?


A macro lens is a lens designed for taking extremely close-up photos of the subject. If you’ve ever seen a photo of a spider’s eyes or the veins of a leaf, that was a macro photo.
Most macro photos are taken with the camera within a foot or so of the subject. Non-macro lenses just won’t focus this close to the subject. Their Minimum Focus Distance (MFD) is normally around three feet. For a macro lens, the MFD is generally somewhere between 8 and 12 inches.
What really sets a macro lens apart isn’t just its close MFD, however—it’s the fact it combines a close MFD with a relatively long focal length. You can get your camera close to the subject and appear to zoom in close.
A perfect macro lens has an MFD and focal length that together allow you to get a 1:1 “reproduction ratio”. This means that the object you’re photographing is reproduced at exactly the same size it is in real life, on the camera sensor.
Let’s take a moment and think about this. If I take a portrait of someone so that their face covers the full image, then their roughly ten inch head is being reproduced at about one inch high on the camera sensor. That’s a reproduction ratio of 10:1. If I take a photo of a spiders’ head, however, I can have its quarter inch head reproduced at the exact same size. This is where the magnification comes from.
Macro photography doesn’t strictly have to have a reproduction ratio of 1:1. That only occurs when you’re using a good macro set up right at its MFD. In reality, you can get great looking macro photos even if the reproduction ration is 1:0.7 or even lower. Even 1:0.5 is going to be a lot closer than you’d be able to get with a regular lens.
The good news is that they aren’t just for macro photography. They’re almost always short telephoto lenses with wide apertures which makes them great portrait lenses, too.
If you’re interested in macro photography but are put off by the $900 price tag of something like a Canon 100mm f/2.8L Macro Lens, then there are other ways to take macro photos. You won’t have quite as much control as you get with a dedicated lens, but you can still take some stunning photos with some very simple equipment. Check out our guide to enjoying macro photography on the cheap for more
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